Revisão da Matéria Dada II

2018.Feb

Revisão da Matéria Dada, part II. Group Show.
Curated by José Mário Brandão.
Galeria Graça Brandão, Lisbon.
Feb, 02>24, 2018

exhibited work:
Ape (2003)

Revisao da Materia Dada II ape

Pedro Cabral Santo’s Endless

2018.Jan

I was a guest artist at Pedro Cabral Santo’s Endless solo show in Guimarães.

Pedro Cabral Santo, Endless.
curated by: Ivo Martins.
Jan 27th > Apr 21st, 2018.
Centro Cultural Vila Flor, Guimarães, Portugal.

miguel_soares@endless_s

Categories : exhibitions  group   > works  prints
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Revisão da Matéria Dada

2017.Nov

Revisão da Matéria Dada. Group Show.
Curated by José Mário Brandão.
Galeria Graça Brandão, Lisbon.
Nov, 25th, 2017 > Jan, 2018

exhibited work:
Place in Time (2005)

place-in-time-fb

A Arte como Experiência do Real

2017.Jun

A Arte como Experiência do Real
Coleção de Ivo Martins em Depósito no Museu de Serralves
29 junho a 15 outubro 2017.
Centro Internacional das Artes José de Guimarães (CIAJG), Guimarães.
curated by Nuno Faria.

exhibited:
a selection of 3D animations.

+info:http://www.ciajg.pt/_a_arte_como_experiencia_do_real&ct=602&mop=27

ciajg2017

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Rrevolução

2017.Jun

Rrevolução.
Jun, 24th > Oct, 31st, 2017.
Colégio das Artes, Coimbra.
Curated by António Olaio, Pedro Pousada.

Posters comemorating 100 years of the Russian Revolution.

19260544_1675043742536216_8284945936311341879_n

rrev
study for poster.

IMG_3074rrevcat

poster catalogue.

rrevdet
poster detail.

foto nuno coelho (martelo) _1207290659174955096_o

exhibition view. photo: Nuno Coelho.

INPUT 6417

2017.Apr

INPUT 6417
Apr 6 > May, 2017
Galeria da Escola das Artes
Universidade Católica do Porto, Porto.
curated by: Baltazar Torres.

Exhibited works:
Wabane
Science Fair
White Star
Naso

input 6417

input-02-sm

input-03-sm

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Tempo perdido no porto #3: Miguel Soares

2017.Feb

Tempo perdido no porto #3: Miguel Soares
Feb 11 > 18, 2017.
Oporto Lisboa
Calçada Salvador Correia de Sá, nº 42 2º frente, 1200-399 Lisbon.

exhibited works:
Wabane
Science Fair
White Star
Naso

tpp3as

Tempo perdido no porto # 3
Miguel Soares

It was in 1998, during the Siggraph Symposium, that Paul Debevec introduced a method for integrating synthetic objects into “real-world” images. In his communication, Debevec revealed the secret of extracting light from any environment and rendering objects into this light. This simple method used a mirrored ball placed in the center of a space, which was photographed in a high dynamic range of light (HDR). By combining the resulting multiple-exposure images, Debevec created a single concave image, which functioned as an omnidirectional radiation map of the space. The HDR contained all necessary data to merge any alien object into
a pre-existing background.
Today we can see a good amount of HDR images on the internet, as empty scenarios longing for objects. In 2008, Miguel Soares used an HDR image of a Japanese interior as a starting point for his 3D animation wabane. Here the artist brilliantly inverted Paul Debevec’s process and, instead of inserting a common object in the light of an HDR scenario, he placed in it a floating moving mirror that changes shape according to sound. Wabane presents a shining post-apocalyptic living mirror that reflects, in its ever-changing curved surface, the void of an abandoned room.
After a residency period in Oporto, Miguel Soares will finally give us the opportunity of watching his HDR masterpiece, by far the video that best fits Oporto’s dimmed/doomed atmosphere. Along with wabane we will also be exhibiting white star, science fair and his latest video, naso. This selection of very short animations, or videos from a music album, as Soares refers to them, reveal carefully designed landscapes, digital terrariums optimized for the study of unknown creatures and things, entities that live and die to the laws of sound and nostalgia.
curated by Alexandre Estrela.

tpp3c

silkscreen, edition of 18. prints by Mike Goes West.
poster

tpp3b

tpp3d

3 animations on the upper floor.

tpp3e
ground floor.

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2048, Galeria Graça Brandão, Lisbon (exhibition)

2016.Jun

Left-exit-01_1400

MIGUEL SOARES 2048
June 24 – July 30

Galeria Graça Brandão Lisboa
Rua dos Caetanos, 26
Lisbon

Inauguração | Opening
24.06.2016
das 19h00 às 23h00 | from 7pm to 11pm

detalhe-2016_1400
(scroll down for english version)

Faz este ano quinhentos anos a primeira edição de “Utopia” de Thomas More, relato de um viajante português descrevendo uma ilha ficcionada onde pareciam ter sido resolvidos os principais problemas da sociedade de então.

No projecto agora apresentado na Galeria Graça Brandão, Miguel Soares simula momentos num hipotético futuro próximo, pegando em certas ideias retiradas da “tradição utópica” portuguesa (Camões, António Vieira, Pessoa), da teoria das Três Idades de Joaquim de Fiore, da utopia de More, ou ainda de elementos da escatologia de algumas das principais religiões, fundindo-as com ideias mais recentes como a da Singularidade Tecnológica (Stanislaw Ulam, Vernor Vinge, Ray Kurzweil), ou a da Hipótese da Simulação (Trilema de Bostrom) que terá raízes anteriores, na Alegoria da Caverna de Platão, por exemplo.

A progressiva automatização e substituição do trabalho humano pelo de máquinas poderá um dia libertar o ser humano, tornando todo o sistema económico, político e até a própria ideia de Estado desnecessários?

A Singularidade Tecnológica sugere que entre 2040 e 2045 o futuro desenvolvimento da Inteligência Artificial poderá dar origem ao início de um movimento exponencial em que máquinas constroem outras máquinas cada vez mais perfeitas, numa progressão que escapará à compreensão imediata do ser humano. Pouco depois, em 2048 será o centenário de “1984″ de George Orwell. Segundo esta proposta de Miguel Soares, apresentada através de uma animação vídeo e um conjunto de imagens, este movimento criaria uma espécie de “máquina do mundo” capaz de cuidar e alimentar cada ser humano e gerir os recursos do planeta.

Será o capitalismo e a competição apenas uma ferramenta, a única, para chegar a tal porto? Poderia esta sucessão de eventos dar origem a um salto evolutivo no ser humano, permitindo por exemplo, a cada pessoa encontrar a sua vocação natural?

—-

This year is the 500th anniversary of the first edition of Thomas More’s Utopia, the account of a portuguese traveller who describes a fictional island where the major problems of the society of the epoch seemed to have been resolved.

In his project at Galeria Graça Brandão, Miguel Soares simulates moments of a hypothetical nearby future, borrowing certain ideas from More’s Utopia and Joachim of Fiore’s Three Ages, as well as from the Portuguese “utopic tradition” (Luís de Camões, António Vieira, Fernando Pessoa); together with elements taken from the eschatology of some of the main religions, assembling them with the more recent ideas of Technological Singularity (Stanislaw Ulam, Vernor Vinge, Ray Kurzweil), and the Simulation Hypothesis (Bostrom’s trilemma), which has ancient roots in Plato’s Allegory of the Cave.

Will the progressive automation and replacement of human labour by machines be capable of setting the human being free, rendering obsolete the entire economical and political systems, and even the conception of State?

The Technological Singularity suggests that between 2040 and 2045 the future development of Artificial Intelligence may originate an exponential event in which machines build other, more perfect machines, in a progression that will evade human beings’ immediate understanding. Soon after, in 2048, it will be the centenary of George Orwell’s 1984. According to Miguel Soares’ proposal, articulated around an animation video and a set of images, this movement will create a sort of “machine of the world” capable of looking after and nourishing each human and managing the resources of the planet.

Is capitalism and competition only a tool, the only tool, to reach such goal? Could this succession of events generate an evolutionary leap in the human being, allowing for each person to find, for instance, their natural vocation?

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2048 (prints/image list)

2016.Jun

MIGUEL SOARES 2048
June 24 – July 30

Galeria Graça Brandão Lisboa
Rua dos Caetanos, 26
Lisbon

Inauguração | Opening
24.06.2016
das 19h00 às 23h00 | from 7pm to 11pm

image list
first presented at 2048 solo show.

Miguel-Soares--2048_17img-cont

Negativland 2012 poster (Lisbon)

2012.Oct

made for the 2012 Negativland’s live performance in Lisbon.
Based on the 2008 poster.

posterb26migsonet

Categories : > works  prints
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O Princípio da Inércia

2012.Sep

curated by: Mafalda Santos, Susana Gaudêncio

September 22 – November 04, 2012
Museu da Cidade – Pavilhão Branco,
Lisbon, Portugal

exhibited work:
666
principio da inercia

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2012 Odisseia Kubrick

2012.Jun

2012 Odisseia Kubrick
curated by:

june 29 – November 11, 2012
Solar Galeria de Arte Cinemática,
Vila do Conde, Portugal

exhibited work:
SpaceJunk beta 1.0
Time Zones

related links:
2012 Odisseia Kubrick at Solar

8009_383667688348244_628570695_n

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Entre Comissários e Curadores – Os Artistas e os Livros

2012.Jun

ENTRE COMISSÁRIOS E CURADORES – OS ARTISTAS E OS LIVROS
curated: Fátima Lambert

June 14-17, 2012
Fábrica ASA
Guimarães, Portugal

exhibited works:

related links:
page at guimaraes2012.pt

552750_428865187158325_1470921792_n

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Abraço – 20 anos

2012.May

Abraço – 20 anos
Arte Solidária

May 30, June 15, 2012
Galeria Graça Brandão
Lisbon, Portugal

Lg20Anos

Video Home System

2011.Sep

335673_222874377765166_804974_o

Video Home System – A Obediência
curated: POGO

September 22, October 2, 2011
Cinema Nimas
Lisboa, Portugal

exhibited works: OA video

related links:
Video Home System

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Linguagem e Experiência (Aveiro)

2010.Nov

Obras da colecção da Caixa Geral de Depósitos
curated by: Pedro Lapa

December 04, 2010 – February 13, 2011

Museu de Aveiro
Aveiro, Portugal

exhibited works:
Archibunk3r Associates (2000)
SpaceJunk beta 1.0 (2001)

aveiro_cgd

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MONO

2010.Oct

MONO (a propósito do grupo GICAPC/CORES CAPC 1976/1978)
curated by: Carlos Antunes, António Olaio

October 16 – December 18, 2010
CAPC – Círculo de Artes Plásticas, Coimbra
Coimbra, Portugal

mono

exhibited work: untitled (PSI 3×3) from PSI 03, 1996

miguel_soares_1996_psi-(3x3)

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Ceci n’est pas une rétrospective

2010.Sep

IN.TRANSIT + W.C.CONTAINER (1999-2009)

curated by: Paulo Mendes

Sept 18 – Oct 30, 2010

Espaço Padaria Independente
Oporto, Portugal

exhibited works: window

Related links: Ceci…@paulomendes.org

IN-TRANSIT-convite-CECI3

IMG_0772
photo by Susana Pomba

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Cabinet d’Amateur

2010.Jul

Cabinet d’Amateur
Sala do Veado 1990-2010

July 22 – Oct 03, 2010

Sala do Veado
Museu Nacional de História Natural
Lisbon, Portugal

exhibited work: Liine 2007 (1 image)

salaveado

Ikonoklash

2010.Jun

curated by Dinis Guarda

Jun 05 – Aug 01, 2010

Centro Cultural de Lagos
Lagos, Portugal

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28492_103882679659362_100001128911655_34573_6491744_n

related links: Ikonoklash

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exhibited works: Window

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